The Mystery of Edwin Drood


NOTE: In the United Kingdom and the Republic of Ireland, THE MYSTERY OF EDWIN DROOD is licensed by MTI Europe.

Based on Charles Dickens’ final unfinished novel, this hilarious whodunit invites the audience to solve its mystery by choosing the identity of the murderer. The tale is presented as a show-within-a-show, as the Music Hall Royale – a delightfully loony Victorian theatre company – presents Dickens’ brooding mystery. Musical numbers include “Perfect Strangers,” “Don’t Quit While You’re Ahead,” “Off To The Races” and “Moonfall.”

Music samples provided courtesy of Universal Music and Holmes Line of Music.

  • Synopsis
  • Credits
  • Orchestration
  • Materials
  • Cast
  • History
  • Musical Numbers
  • Upcoming
  • Act I

    In the bustling atmosphere of the Music Hall Royale, a raucous Victorian theatre company, the troupe’s Chairman welcomes the audience and introduces the cast (“There You Are”). Tonight, the Music Hall Royale will present Charles Dickens’ final story, The Mystery of Edwin Drood. Because Dickens “ungenerously” died before finishing his novel, tonight the audience will be asked to “vote upon key questions regarding the outcome of our plot.” Therefore, the Chairman implores, everyone must pay close attention.

    The Chairman then sets the scene: In Cloisterham Cathedral, troubled choirmaster John Jasper joyfully greets his beloved nephew Edwin Drood, played by the company’s resident male impersonator, Miss Alice Nutting (“Two Kinsmen”). Drood is engaged to the fair Miss Rosa Bud, Jasper’s music pupil and the object of his mad obsession. In Rosa’s private music lesson, Jasper presents her with a new song, rife with forbidden passion and longing (“Moonfall”).

    The kindly Reverend Crisparkle arrives, with two mysterious emigrants from Ceylon, Helena and Neville Landless. Neville is immediately attracted to Rosa, making him a romantic rival to both Edwin and Jasper.

    The Chairman directs the audience’s attention to a new setting: in the East End of London, in her sinister opium den, the aging Princess Puffer reflects on the “Wages of Sin.” Puffer attends to a hallucinating addict, revealed to be the choirmaster John Jasper! In a dreamy opium- and laudanum-induced ballet, Jasper sees himself murdering Drood. He wakens from the episode crying out for Rosa Bud. Puffer, taking note of Jasper’s outburst, collects her money and sees him off.

    Back in Cloisterham, Neville and Drood meet and clash immediately (“A British Subject”). When an inebriated Music Hall actor fails to make his entrance, the Chairman steps into the supporting role of Mayor Sapsea. The Chairman, who now plays two roles, and Jasper, who lives a duplicitous life, celebrate life’s dual nature (“Both Sides of the Coin”). The Mayor meets up with Durdles, a drunken buffoon who works in the graveyard with the assistance of his young Deputy. After exchanging some classic Music Hall banter with the Mayor, Durdles reveals that Jasper recently asked to be shown the crypts. Later, as Jasper leaves the tomb, the Deputy discovers that some of his keys are missing.

    Rosa and Drood, realizing their relationship is more familial than romantic, call off their engagement (“Perfect Strangers”). As a parting gift, Rosa gives Drood a hair clasp that once belonged to her mother.

    On a stormy Christmas Eve, Jasper hosts a holiday dinner for Neville and Helena Landless, Reverend Crisparkle, Rosa, and Drood. Though the dinner was intended to foster reconciliation, it instead erupts into acrimony (“No Good Can Come From Bad”). Neville and Drood continue to spar, Crisparkle reveals that he once loved Rosa’s mother, who died shortly after the girl’s birth, and everyone senses an impending doom. Eventually, the party disbands and the guests depart into a violent storm.

    The next morning, Rosa and Crisparkle realize that Drood has vanished. Crisparkle’s assistant, Bazzard, enters with Edwin’s bloodied coat, which he discovered by the River Weir. Phillip Bax, the Musical Hall actor playing the tiny part of Bazzard, breaks the action to lament his failure in landing a larger role (“Never The Luck”).

    A group of outraged townspeople abduct Neville, who was the last person seen with Drood, accusing him of murder. Helena defends her brother, convincing the Mayor that, without a body, there can be no murder charge. Neville is released, and the Chairman reviews the situation: Edwin may be dead, and anyone onstage could be responsible. To lighten the mood, the entire company sings the Music Hall Royale’s rollicking signature song, “Off to the Races.”

    Act II

    Six months later, Drood’s disappearance remains unsolved. The Princess Puffer, who has been investigating the case, arrives in Cloisterham, alongside a mysteriously attired private detective named Dick Datchery, played by Miss Alice Nutting, the same actor who played Drood in Act One. The two sleuths pursue their leads separately (“A Private Investigation”).

    Jasper, emboldened and transformed by his opium addiction, violently grabs Rosa and declares his love for her, but she bitterly rejects him (“The Name of Love/Moonfall Reprise”).

    Puffer, who has overheard that conversation, revels in getting closer to the truth. She leads the entire company in a rousing number (“Don’t Quit While You’re Ahead”). The Chairman calls for an encore, and just as the company reaches the song’s climax, the music abruptly ceases and everything falls apart. “Ladies and Gentlemen,” the Chairman explains, “It was at this point in our story that Mr. Charles Dickens laid down his pen forever.”

    Stopping the show, the Chairman guides the audience through a series of decisions: though Miss Alice Nutting portrayed both Drood and Datchery, Datchery was not actually Drood in disguise. The audience votes by applause to determine which character was in fact disguised as the detective Datchery. The chosen actor exits to prepare for the finale scene. Next, the Chairman reviews the cast of characters, and ensemble members go to separate sections of the audience, counting show-of-hand votes to determine tonight’s murderer (“A British Subject” Reprise).

    The cast goes backstage to tally the votes, and the story resumes. Puffer admits that years ago, she had been Rosa’s beloved nanny, until an unscrupulous man led her down “The Garden Path To Hell.” She explains that, after hearing Jasper call Rosa’s name, she followed him and investigated, ultimately discovering the real identity of Dick Datchery (“Puffer’s Revelation”).

    This evening’s Datchery (either Bazzard, Crisparkle, Helena, Neville, or Rosa) reveals this: while searching Jasper’s room, Datchery discovered the hair clasp that Rosa had given to Drood. Assuming Jasper took it from Drood’s dead body, Datchery now accuses Jasper of murder (“Out On A Limerick”). Angry townspeople drag Jasper in. Jasper confesses that, under the influence of laudanum-laced wine, he indeed strangled his nephew, Edwin Drood (“Jasper’s Confession”).

    Durdles the gravedigger, however, interrupts to reject Jasper’s account. Durdles witnessed the crime and explains that Jasper placed Drood’s coat by the river to throw suspicion on Neville landless, but he did not kill Drood. But someone else did, depositing the body in the tomb of the Mayor’s late wife. The murderer is – depending on the audience’s vote – Bazzard, Crisparkle, Helena, Neville, Puffer, Rosa, or Durdles himself. Revealing the motive and means, the murderer gleefully comes clean (“Murderer’s Confession”).

    Insisting that “we are entitled to a happy ending,” the Chairman asks the audience to choose (by applause) two lovers, who passionately declare their love (“Perfect Strangers” Reprise).

    Suddenly, Drood reappears! Apparently, on the night of the attack, he was merely stunned but not killed. Awakening in the crypt, he escaped and fled from Cloisterham (“The Writing on the Wall”). With the mystery thus solved, Edwin and the entire ensemble conclude the evening with lively chorus of “Don’t Quit While You’re Ahead.”

    A Musical by Rupert Holmes

    Original Broadway production produced by
    the New York Shakespeare Festival, Joseph Papp, Producer

    Such credits for all purposes shall be in a type size equal to that of any other credits except for those of the star(s) above the title. The credit for Rupert Holmes shall be in a type size at least 50 percent of the size of the title of the play, and the credit for the New York Shakespeare Festival shall appear below all other credits. In the programs, the credits shall appear on the title page thereof.

    The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

    is presented by arrangement with
    Tams-Witmark, A Concord Theatricals Company

    Additionally, you agree to include the above language hyperlinked to on all websites on which you promote the play.

  • Full Orchestration:

    3 Violins (six players)
    2 Cello (three players)
    1 Bass

    1 Reed I: Piccolo, Flute & Clarinet
    1 Reed II: Oboe, English Horn & Clarinet
    1 Reed III: Piccolo, Flute, Clarinet & Bass Clarinet
    1 Reed IV: Bassoon

    1 Horn I
    1 Horn II
    1 Trumpet I (Bb Trumpet, Piccolo Trumpet & Flugelhorn)
    1 Trumpet II (Bb Trumpet & Flugelhorn)
    1 Trombone I (Tenor Trombone)
    1 Trombone II (Bass Trombone & Tuba)

    1 Keyboard I (Piano)
    1 Keyboard II (Synthesizer)

    1 Drums: (Trap Set):

    Snare Drum
    Bass Drum
    Tom Tom(s)
    Roto Toms
    Floor Tom Tom
    Wood Block
    Cow Bell
    Sleigh Bells
    Metal Pipe
    Police Whistle
    Wind Chime
    Piatti (a2)
    Hi – Hat
    Suspended (Played with Scraper, Sticks, Mallets, Box)
    “Ting,” “Ride,”
    “Choke” & “Crash”
    Chimes (Same instrument used by Mallet Player)
    Timpani (Same instrument used by Mallet Player)

    1 Percussion (Mallet instruments)

    Timpani (2 ped drs)
    Concert Snare Drum
    Concert Bass Drum
    Slap Stick
    Lead Pipe
    Sandpaper Blocks
    Castanets (on Blk)
    Sleigh Bells
    Wind Machine
    Money Shaker
    Bell Tree
    Piatti (a2)

    Piano-Conductor’s Score (2 volumes) sent with rehearsal material.

  • Rehearsal Materials

    2       Piano/Conductor Scores
    20     Libretto/Vocal Books

    Optional Additional Materials

    Four Optional Additional Numbers:
    “A Man Could Go Quite Mad”
    “Quartet Reprise: Moonfall”
    “Setting Up The Score”

  • Principals

    (4 female; 7 male)

    Mr. William Cartwright, Chairman of the Music Hall Royale — doubles as Mayor Thomas Sapsea
    John Jasper — doubles as Mr. Clive Paget
    Neville Landless — doubles as Mr. Victor Grinstead
    Reverend Crisparkle — doubles as Mr. Cedric Moncrieffe
    Bazzard — doubles as Mr. Phillip Bax and as Waiter
    Durdles — doubles as Mr. Nick Cricker
    Deputy — doubles as Master Nick Cricker
    Rosa Bud — doubles as Miss Deirdre Peregrine
    Edwin Drood — doubles as Miss Alice Nutting
    Helena Landless — doubles as Miss Janet Conover
    Princess Puffer — doubles as Miss Angela Prysock


    Wendy — non-speaking; doubles as Miss Isabel Yearsley
    Beatrice and Flo— non-speaking; double as Miss Florence Gill
    Shade of Drood — dancer; doubles as Mr. Harry Sayle
    Shade of Jasper — dancer; doubles as Mr. Montague Pruitt
    Clients of Puffer — dancers; double as Mr. Alan Eliot and Mr. Christopher Lyon
    Succubae — dancers; double as Gwendolen Pynn, Sarah Cook, Florence Gill, and Isabel Yearsley
    Satyr — dancer; doubles as Master Nick Cricker
    Waiter — doubles as Mr. Phillip Bax
    Maids — non-speaking; double as Miss Violet Balfour and Miss Gwendolen Pynn
    Horace — doubles as Mr. Nicholas Michael
    Bazzard — doubles as Mr. Phillip Bax
    Dick Datchery — ????????


    Citizens of Cloisterham:
    Miss Violet Balfour
    Mr. Phillip Bax
    Miss Sarah Cook
    Mr. Alan Eliot
    Miss Florence Gill
    Mr. Christopher Lyon
    Mr. Medford Moss
    Mr. Nicholas Michael
    Mr. Montague Pruitt
    Miss Gwendolen Pynn
    Mr. Harry Sayle
    Mr. James Throttle
    Miss Isabel Yearsley

    The original Broadway production had a cast of 23 performers, including chorus. Doubling was employed as indicated above.

  • After its 1985 debut at the New York Shakespeare Festival, headed by Joseph Papp of the Public Theatre, THE MYSTERY OF EDWIN DROOD moved to Broadway’s Imperial Theatre, where it played for a total of 608 performances, starring Betty Buckley, Cleo Laine, and George Rose. In 1987, the show premiered at the Savoy Theatre in London’s West End. DROOD was revived at Studio 54 on Broadway in 2012,  featuring Chita Rivera, Will Chase, Gregg Edelman, Jim Norton, Betsy Wolfe, and Stephanie J. Block in the title role.

    Awards (1986)

    5 Tony Awards for Musical, Book, Score, Director and Actor
    8 Drama Desk Awards for Musical, Music, Book, Orchestration, Director, Costume Design, Actor and Featured Actress
    5 Outer Critics Circle Awards for Broadway Musical, Choreography, Costume Design, Set Design and Lighting Design

    Awards (2013)

    The Drama Desk Award for Sound Design

  • Act I

    1. “There You Are” – Chairman & Company
    2. “Two Kinsmen” – Drood & Jasper
    3. “Moonfall” – Rosa
    4. “The Wages of Sin” – Puffer
    5. Jasper’s Vision – Ballet
    6. “A British Subject” – Helena, Nevile, Drood, Rosa, Crisparkle, with Ensemble
    7. “Both Sides of The Coin” – Jasper, Chairman & Ensemble
    8. “Perfect Strangers” – Drood & Rosa
    9. “No Good Can Come From Bad” – Neville, Rosa, Helena, Drood, Crisparkle, Jasper, & Bazzard
    10. “Never The Luck” – Bazzard with Ensemble
    11. “Off To The Races” – Chairman, Durdles & Deputy, with Company

    Act II

    12. “England Reigns” – Chairman & Ensemble
    13. “A Private Investigation” – Datchery & Puffer with Ensemble
    14. Reprise: “The Name Of Love & Moonfall” – Rosa & Jasper, with Company
    15. “Don’t Quit While You’re Ahead” – Puffer & Company
    16. “The Garden Path To Hell” – Puffer
    17. “Puffer’s Revelation” – Puffer
    18. “Out On A Limerick” – Helena, or Bazzard, or Neville, or Crisparkle, or Rosa
    19. “Jasper’s Confession” – Jasper
    20. “Murderer’s Confession” – Helena, or Bazzard, or Puffer with Bazzard, or Neville, or Crisparkle, or Durdles, or Sapsea, or Jasper, or Deputy, with Company
    21. Reprise: “Perfect Strangers” – Rosa, or Helena, or Puffer with Bazzard, or Neville, or Crisparkle, or Durdles, or Sapsea, or Jasper, or Deputy, with Company
    22. “The Writing On The Wall” – Drood with Company
    23. Bows: “Don’t Quit While You’re Ahead” – Company
    24. Exit – Orchestra

  • Find upcoming performances near you.

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