Take Me Along


A delightful and heartwarming musical adaptation of Eugene O’Neill’s Ah, Wilderness!, TAKE ME ALONG takes place in a small Connecticut town on July 4, 1906. Nat and Essie Miller head a middle class New England family with teenage children who are coming of age, falling in love, and desperately trying to stay out of trouble. Bob Merrill’s rousing and lovely score includes “Staying Young,” “That’s How It Starts,” “Promise Me A Rose,” and the title song.

Photos 1-4 by Carol Rosegg, courtesy of Irish Repertory Theatre

  • Synopsis
  • Credits
  • Orchestration
  • Materials
  • Cast
  • History
  • Upcoming
  • In Centerville, Connecticut, in 1906, the publisher of the “Centerville Globe,” Nat Miller, wins a new fire engine for the town whose citizens celebrate the acquisition. With Nat as he is cheered are his wife, Essie, his sister Lily, and the rest of his family.

    But as Nat is basking in praise, his middle son Richard is getting into trouble by plighting a passionate-but-pure troth to Muriel Macomber. Her starchy father overhears Richard reading passages from classics to his daughter and considers them extremely erotic. He drives Richard from his home, confines Muriel for a month, announces intention to withdraw sorely needed advertising from Nat’s newspaper.

    There is gaiety at the town trolley station because Sid Davis, Essie’s brother, is returning from Waterbury, where he has a newspaper job. Essie has coached Lily on how to trap Sid into marriage and reform him from drinking. Sid’s homecoming is interrupted when Macomber storms into the house, demands Richard be punished; Nat throws Macomber out of the house.

    Sid proposes to Lily—his first such offer while sober—and she accepts with his promise to stay sober, particularly at the Fourth of July picnic. As the whole town celebrates, Richard is despondent over receiving a note from Muriel breaking their engagement. Nat and Sid, both in their cups, return from the picnic and Richard leaves home for a night of carousing.

    At the Pleasant Beach House, Richard drinks too much and falls into a nightmarish sleep. When he returns home, Sid tries to give him advice about drinking. Richard learns Muriel was forced to write her letter and still loves him. They secretly meet on a beach, and Richard promises to accept four years at Yale. Sid is given one more chance by Lily if he keeps his promise to return to his job in Waterbury. She leaves with him as the whole town cheers.

    Music and Lyrics by Bob Merrill
    Book by Joseph Stein and Robert Russell
    Based on the Play AH WILDERNESS by Eugene O’Neill
    Original Production by David Merrick

    Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

    The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

    is presented by arrangement with
    Tams-Witmark, A Concord Theatricals Company

    Additionally, you agree to include the above language hyperlinked to https://tamswitmark.com/ on all websites on which you promote the play.

  • Full Orchestration:

    2 Violin AC
    1 Violin BD
    1 Viola
    1 Cello
    1 Bass

    1 Reed I: Flute, Piccolo, Clarinet & Alto Saxophone
    1 Reed II: Clarinet & Alto Saxophone
    1 Reed III: Clarinet & Tenor Saxophone
    1 Reed IV: Clarinet & Tenor Saxophone
    1 Reed V: Clarinet & Baritone Saxophone

    2 Horn I & II
    2 Trumpet I & II
    1 Trombone

    1 Percussion
    1 Harp

    Piano (Piano-Conductor’s Score sent with rehearsal material.)

  • Rehearsal Materials

    2       Piano/Conductor Scores
    20     Libretto/Vocal Books

  • Sid Davis
    Nat Miller
    Fire Chief
    Essie Miller
    Art Miller
    Richard Miller
    Mildred Miller
    Tommy Miller
    David Macomber
    Muriel Macomber
    Lady Entertainers
    The Drunk
    Beardsley Dwarf

  • TAKE ME ALONG played for 448 performances on Broadway at the Shubert Theatre starring Jackie Gleason, Walter Pidgeon, Eileen Herlie, Robert Morse and Una Merkel.

    AWARDS (1959-60)

    The Tony Award for Best Actor in a Musical

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