High Button Shoes


A rollicking homage to the silent-movie era, HIGH BUTTON SHOES unravels the comic entanglements of two con artists and an upstanding family in Atlantic City in 1913. Based on Stephen Longstreet’s 1946 novel The Sisters Liked Them Handsome, HIGH BUTTON SHOES features a string of delightful Jule Styne/Sammy Cahn numbers, including “Papa, Won’t You Dance With Me?,” “I Still Get Jealous,” and “On A Sunday By The Sea” (a.k.a. “The Bathing Beauty Ballet”) which hilariously incorporates themes by Franz Liszt and Jacques Offenbach in a wacky tribute to Mack Sennett’s screwball comedy.

Photos by Diane Sobolewski, courtesy of Goodspeed Opera House

  • Synopsis
  • Credits
  • Orchestration
  • Materials
  • Cast
  • History
  • Musical Numbers
  • Upcoming
  • In New Brunswick, New Jersey in 1913, the Longstreet family, consisting of Mama, Papa, Mama’s younger sister Fran, and her college boyfriend Oggle, is affected when a con man, Harrison Floy, and his shill, Mr. Pontdue, come to town. The duos’ dubious intentions are made clear as Floy pitches “snake-oil” schemes (“He Tried to Make a Dollar”) including selling fake watches and diamond mines, and the shill Mr. Pontdue asks for two. They are chased by the police, and the phoney scheme is repeated. After they cheat the Longstreets in a phony land deal, Floy and Pontdue try to escape to Atlantic City, New Jersey with their ill-gotten profits and also take Fran (who has become romantically involved with Floy) with them.

    As the con men Floy and Pontdue are pursued to the Atlantic City beach while carrying a satchel full of stolen money, the people on the beach dance around them (“The Bathing Beauty Ballet”). They tangle with a large number of people—including bathing beauties, lifeguards, other criminals, identical twins—and one gorilla. The climax occurs when the Keystone Cops arrive, and Floy loses everything when he bets on the wrong football team.


    Music by Jule Styne
    Lyrics by Sammy Cahn
    Book by Stephen Longstreet

    Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

    The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

    is presented by arrangement with
    Tams-Witmark, A Concord Theatricals Company

    Additionally, you agree to include the above language hyperlinked to https://tamswitmark.com/ on all websites on which you promote the play.

  • Instrumentation: 17 Parts

    2 Violin AC
    1 Violin BD
    1 Viola
    1 Cello
    1 Bass

    1 Oboe (and optional English Horn)
    1 Reed I: Clarinet & Alto Saxophone
    1 Reed II: Clarinet & Alto Saxophone
    1 Reed III: Clarinet & Tenor Saxophone

    1 Horn
    2 Trumpet I & II
    1 Trumpet III
    1 Trombone I
    1 Trombone II

    1 Percussion:
          Timpani (1 or 2 Drums)
          Snare Drum (Brushes & Sticks)
          Bass Drum
          Suspended Cymbal
          Hi-Hat Cymbals (optional)
          Wood Block
          Cow Bell
          Temple Blocks (2 pitches)
          Ratchet (optional)
          French Auto Horn
          Slide Whistle
          Police Whistle


  • Rehearsal Materials

    2       Piano/Conductor Scores
    20     Libretto/Vocal Books

  • Harrison Floy
    Mr. Pontdue
    Uncle Willie
    Papa Longstreet
    Fran (Mama’s Sister)
    Sarah Longstreet (Mama)
    Junior Simpkins
    Shirley Simpkins
    Elmer Simpkins
    Mr. Anderson

    Townspeople, Football Players, Ladies Bird Watching Society, Singers and Dancers

  • HIGH BUTTON SHOES opened on Broadway at the New Century Theatre on October 9, 1947, starring Phil Silvers and Nanette Fabray. The show later moved to the Shubert Theatre and the Broadway Theatre, playing for a total of 727 performances.

    AWARDS (1948)

    The Tony Award for Best Choreography (Jerome Robbins)

  • Act I

    1. “He Tried To Make A Dollar” – Quartet
    1a. “Can’t You Just See Yourself In Love With Me?” – Oggle & Fran
    1b. Scene Change – Orchestra
    2. “There’s Nothing Like A Model T” – Floy & Company
    2a. Scene Change – Orchestra
    3. “Next to Texas I Love You” – Oggle
    3a. Texas Ballet – Orchestra
    4. “Security” – Mama & Women
    5. Tango – Orchestra
    6. “Bird Watchers Song” – Mama & Women
    6a. Tango – Orchestra
    7. “Get Away For A Day In The Country” – Papa, Steve & Ensemble
    8. “Papa, Won’t You Dance With Me?” – Mama, Papa & Ensemble
    8a. “Papa” Encore – Ensemble
    9. “Can’t You Just See Yourself” Reprise – Floy & Fran
    10. Finale, Act One: “There’s Nothing Like A Model T” – Family & Ensemble

    Act II

    Entr’Acte – Orchestra
    11. “On A Sunday By The Sea” – Ensemble
    12. Keystone Ballet – Orchestra
    12a. Scene Change – Orchestra
    13. “You’re My Girl” – Oggle & Fran
    [No # 14]
    15. “I Still Get Jealous” – Papa & Mama
    16. “You’re My Boy” (Reprise) – Floy & Pontdue
    16a. Scene Change – Orchestra
    17. “Nobody Ever Died For Dear Old Rutgers” – Floy, Oggie, Pontdue & Football Players
    17a. Castle Walk – Orchestra
    18. Finale, Act Two: “He Tried To Make A Dollar” – Company
    19. Bows – Orchestra
    20. Exit Music – Orchestra

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