Do Re Mi


“DO RE MI is a musical for people who haven’t been going to musicals lately,” wrote Walter Kerr in his review in the New York Herald Tribune. “You know what it is? It’s fun. Silly fun, loud fun, fast fun, old fashioned fun, inconsequential fun, grand fun.”

In 1960 New York City, lovable loser Hubie Cram is determined to find a get-rich-quick scheme. Pursuing a quick buck in jukebox rentals, Hubie is soon swept up into the record business, facing the temptation of power, money, and romance with an attractive young singer. The show’s tuneful score by Jule Styne, Betty Comden, and Adolph Green features the hits “Cry Like the Wind” and “Make Someone Happy.”

Music samples provided courtesy of DRG Records and Stratford Music Publishing.

  • Synopsis
  • Credits
  • Orchestration
  • Materials
  • Cast
  • History
  • Upcoming
  • Kay Cram sits in the Casacabana nightclub, waiting for her husband Hubie on their tenth anniversary (“Waiting, Waiting”). Hubie, a pie-in-the-sky schemer, is determined to find his big break and become a hot shot, but he is sadly lacking in the husband department.

    Kay suggests that Hubie take a nice steady job in her father’s dry cleaning establishment (“Take A Job”), but he scoffs at the notion. Instead, Hubie goes into business with Fatso, Skin, and Brains, three of his old gangster friends from the slot machine days. This time, however, they swear “It’s Legitimate”; they plan to lease jukeboxes to ice cream parlors and pancake houses. While placing a jukebox in a Greenwich Village restaurant, the men meet Tilda, a young waitress who sings a haunting folk song (“Cry Like The Wind”).

    Hubie soon discovers that successful jukebox operators have to make records, develop new talent, and build up hit tunes. He remembers Tilda’s song and together they develop it into a big hit (“Ambition”). Tilda’s star begins to rise (“Success”) and she meets a handsome competing record company executive named John Henry Wheeler. They fall in love (“Fireworks”) and Tilda skyrockets to fame under Wheeler’s guidance in a zany ballet production number (“What’s New at the Zoo?”). Meanwhile, Hubie’s success dwindles (“The Late, Late Show”), and Kay wonders how she wound up with such a no-goodnik husband (“Adventure”).

    Wheeler and Tilda find genuine contentment together (“Make Someone Happy”). But violence flares in the jukebox violence business, and soon Hubie and the boys find themselves under questioning at a Senate investigation in Washington. Hubie is identified as the Mr. Big of the jukebox rackets (“V.I.P.”). At last, Hubie achieves Big Shot status, but instead of finding glory, he is scorned and left crestfallen (“All of My Life”). Hubie realizes his blind ambition has never brought him any satisfaction; the only true joy in his life remains his faithful and patient wife, Kay (Finale: “Make Someone Happy”). 

  • DO RE MI
    Book by Garson Kanin
    Music by Jule Styne
    Lyrics by Betty Comden and Adolph Green
    Original production directed by Garson Kanin
    Produced for the Broadway Stage by David Merrick

    Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

    The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

    DO RE MI
    is presented by arrangement with
    Tams-Witmark, A Concord Theatricals Company

    Additionally, you agree to include the above language hyperlinked to on all websites on which you promote the play.

  • Full Orchestration:

    2 Violin AB
    1 Violin C
    1 Cello
    1 Bass

    1 Reed I: Flute, Piccolo, Alto Flute, Clarinet & Alto Saxophone
    1 Reed II: Flute (or Clarinet), Piccolo (or Clarinet), Clarinet & Alto Saxophone
    1 Reed III: Oboe (or Clarinet), English Horn (or Clarinet), Clarinet & Tenor Saxophone
    1 Reed IV: Clarinet, Bass Clarinet (or Tenor Sax.) & tenor Saxophone
    1 Reed V: Clarinet, Bass Clarinet (or Bari. Sax.), Bassoon (or Bari. Sax.) & Baritone Saxophone.

    1 Horn
    2 Trumpet I & II
    1 Trumpet III
    1 Trombone I
    1 Trombone II
    1 Trombone III

    1 Percussion:

    Timpani (2 drums)
    Snare Drum
    Bass Drum
    Tom Tom
    Bongo Drums
    Suspended Cymbals
    Hi-Hat Cymbals
    Wind Whistle
    Wood Block
    Police Whistle
    Train Whistle
    Bell Tree (“Arnold’s Boinger”)

    1 Guitar

    Piano (Piano-Conductor’s Score sent with rehearsal material)

  • Rehearsal Materials

    2       Piano/Conductor Scores
    20     Libretto/Vocal Books

  • (In Order of Appearance)

    Kay Cram
    Hubert Cram
    A Waiter
    John Henry Wheeler
    The Headwaiter
    Fatso O’Rear
    Skin Demopoulos
    Brains Berman
    Thelma Berman
    The Reporter
    The Photographer
    James Russell Lowell, IV
    The Sumo Student
    Tilda Mullen
    The Recording Engineer
    Moe Shtarker
    The Commentators
    The Chief Counsel
    Senator Rogers
    Senator Redfield

    The Public

  • DO RE MI played for 400 performances on Broadway at the St. James and 54th Street Theatres starring Phil Silver, Nancy Walker, John Reardon and Nancy Dussault.

    Awards (1961)

    The Theatre World Award for Debut Performance by Nancy Dussault.

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