Play the Songs
American Opera – The Ballad of Baby Doe
THE BALLAD OF BABY DOE is one of the most treasured American operas. Its plot is based on the lives of actual historical figures from Colorado, Horace Tabor and his wife, Elizabeth (“Baby”) Doe Tabor. Memorable arias include the title heroine’s arias, “Willow Song” and “Letter Aria,” as well as Horace Tabor’s “Warm as the Autumn Light.”
Photos courtesy of Opera Fort Collins
The story begins by commenting on the riches of the Matchless Mine and on how Horace Tabor owns the whole town of Leadville, Colorado. Horace sings “It’s a Bang Up Job” to the townspeople, praising his new opera house and sharing his disenchantment with his wife Augusta. During intermission at a performance at the opera house, Augusta chides Horace for not acting in accordance to his station in life. Horace pleads with her not to insult the common people, equating the prostitutes’ and bar girls’ work to the work her committee did in helping build the opera house. Near the end of intermission, a woman arrives, introduces herself to Horace and asks if he could direct her to her hotel. He obliges her, and returns to the opera with Augusta.
Augusta retires for the evening, while Horace steps outside to smoke a cigar. He overhears two women speaking about the woman and learns that her name is Baby Doe, and that she has a husband in Central City. Horace hears Baby singing “The Willow Song” and applauds her—much to her surprise since she did not know he was listening. He sings “Warm as the Autumn Light” to her. Augusta’s comments from upstairs stop the scene.
Several months later, Augusta goes through Horace’s study and finds gloves and a love letter. She thinks they are for her until she finally realizes that they are for Baby Doe. The rumors have been true. Horace comes in, they fight and Horace says he never meant to hurt her.
Baby Doe, at the hotel, realizes she must end her relationship with Horace and tells the hotel workers to find out when the next train leaves for Denver. The hotel workers go to find Horace so he can head her off. She sings of her love for Horace in a letter to her mother (the “Letter Aria”). Augusta comes in and tells Baby to leave. She agrees, but pleads that she and Horace have done nothing they should be ashamed of (“I Knew It Was Wrong”). When Augusta leaves, Baby decides against leaving at the same time Horace comes in. They sing of their love.
A year later, Tabor has left Augusta and is living with Baby Doe. Her friends inform Augusta, now living in Denver, that Horace plans to divorce her. She swears to ruin him.
Horace and Baby Doe’s wedding party in Washington DC. Baby’s mother praises the couple’s riches, but the society wives deride Baby Doe, but when the couple comes in they are well received. The debate turns to the silver standard and Baby Doe sings “Gold is a Fine Thing”. Horace then presents Baby with Queen Isabella’s diamond necklace. Baby Doe’s mother tells the Roman Catholic priest about Baby and Horace’s divorces—which he didn’t know of. Scandal rocks the party, but is stopped when President of the United States Chester Arthur comes in and toasts the couple.
Act II chronicles the disintegration of Baby and Horace’s riches. Augusta warns of the gold standard, but Horace doesn’t listen. Horace politically backs William Jennings Bryan for president. When Bryan loses, Horace is abandoned by his party.
In the final scenes, Horace asks to see the opera house he built so long ago, though he no longer owns it. On the stage, he hallucinates and sees people from his past. Augusta both taunts and pleads with him. He is told that his one daughter will decry the name Tabor and that his other will become a prostitute. Distraught, he collapses. Baby Doe enters. After he is convinced that she is not a hallucination, he tells her nothing will come between them and begs her to remember him. He dies in her arms. In the last scene that takes place 30 years later, at the Matchless Mine, she finishes the opera with “Always Through the Changing.”
THE BALLAD OF BABY DOE
Music by Douglas Moore
Book by John Latouche
Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.
The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:
THE BALLAD OF BABY DOE
is presented by arrangement with
Tams-Witmark, A Concord Theatricals Company
Additionally, you agree to include the above language hyperlinked to https://tamswitmark.com/ on all websites on which you promote the play.
2 Violin I (min. 2 stands)
1 Violin II (min. 1 stand)
1 Viola (min. 1 stand)
1 Cello (min. 1 stand)
2 Flute I & II (Flute II doubles Piccolo)
2 Clarinet I & II
2 Horn I & II
2 Trumpet I & II
2 Trombone I & II
Timpani (2 pedal drums)
1 Full Score (Partitur) in 5 volumes.
NOTE: String parts are supplied in the standard, minimum-requirement count. Please contact Tams-Witmark Music Library, Inc., for your specific string section needs.
22 Piano/Conductor Scores
Horace Tabor — Mayor of Leadville
Augusta — wife of Horace Tabor
Mrs. Elizabeth (Baby) Doe — a miner’s wife
Mama McCourt — Baby Doe’s mother
William Jennings Bryan — candidate for President
*Chester A. Arthur — President of the United States
Father Chapelle — priest at the wedding
An old silver miner
A clerk at the Clarendon Hotel
Mayor of Leadville
Stage doorman of the Tabor Grand
Albert — a bellboy
A Denver politician
Sarah, Mary, Emily, Effie — old friends of Augusta
Sam, Bushy, Barney, Jacob — cronies and associates of Tabor
Four Washington dandies
Kate — dance hall entertainer
Elizabeth, age 12 — daughter of Horace and Baby Doe Tabor
Silver Dollar, age 7 — daughter of Horace and Baby Doe Tabor
**Meg — dance hall entertainer
Silver Dollar (grown up)
Samantha — a maid
Dance hall girls, Baby Doe’s family, and foreign diplomats at the wedding, miners and their wives
*These parts may be covered with two singers.
**These parts may be covered with one singer.
The opera THE BALLAD OF BABY DOE had its premiere at the Central City Opera in Colorado in 1956 with Dolores Wilson in the title role. The opera’s New York premiere, directed by Vladimir Rosing, was presented at the New York City Opera in 1958 starring Beverly Sills as Baby Doe Tabor.
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